Eduardo Frei Montalva, as a 23 year old Falangist leader just beginning his political career, met Gabriela Mistral, 22 years his senior, in Spain in 1934. Each one of these books is the result of a selection that omits much of what was written during those long lapses of time. Gabriela Mistral statue next to the church in Montegrande (2008). With passion, she defended the rights of children not onlyin Chile and Latin America but in the entire world, stated Lamonica. Mistral was awarded first prize in a national literary contest Juegos Florales in Santiago, with the work Sonetos de la Muerte (Sonnets of Death). Pedro Aguirre Cerda, an influential politician and educator (he served as president of Chile from 1938 to 1941), met her at that time and became her protector. Poema de Chile was published posthumously in 1967 in an edition prepared by Doris Dana. Her poems in the Landscapes of Patagonia section of the book include the poem Desolation (Desolacin) from which the book is named, Dead Tree (Arbol Muerto), and Three Trees (Tres Arboles); when taken together they describe the ruined landscape we are disgracefully apt to leave behind; much to her dismay and disdain. . Once in Mexico she helped in the planning and reorganization of rural education, a significant effort in a nation that had recently experienced a decisive social revolution and was building up its new institutions. Oct 10, 2014 by David Joslyn in Analysis and Opinion The newly released first bilingual edition of Gabriela Mistral's foundational collection of poetry and prose, Desolation, is sure to be a landmark in bringing Chile's Nobel prize-winning poet closer to English speakers throughout the world. Her failing health, in particular her heart problems, made it impossible for her to travel to Mexico City or any other high-altitude cities, so she settled as consul in Veracruz. The following years were of diminished activity, although she continued to write for periodicals, as well as producing Poema de Chile and other poems. The marvelous narrative, the joy of free imagination, the affectionate, rhythmic language that at various times seems outcry, hallelujah, or riddle, all make of these poems authentic childrens poetry, the most beautiful that has emerged from the lips of any American or Spanish poet. . As she evoked in old age, she also learned to like the stories told by the old people in a language that kept many of its old cadences, still alive in the vocabulary and constructions of a people still attached to the land and its past. A fervent follower of St. Francis of Assisi, she entered the Franciscan Order as a laical member. we put them in order for her; we were certain that within a short time they would revert to their initial chaotic state. In a single moment she reveals the unity of the cosmos, her personal relationship with creatures, and that state of mystic, Franciscan rapture with which she gathers them all to her. I took him to my breast. If Gabriela were alive today, what would she say about the fact that nearly 50percent of children in Chile suffer some type of physical violence (according to arecent report from the United Nations)? Her first book, Desolacin, was published in 1922 in New York City, under the auspices of Federico de Ons, professor of Spanish at Columbia University.
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